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Contents:
  1. An Untenable Position
  2. 11 Things You Didn’t Know About ‘ A Space Odyssey’ - HISTORY
  3. Site Search Navigation
  4. Kansas State Capitol - Online tour - Tragic Prelude
  5. The Top 25 Songs That Matter Right Now

For the moonscape scene, for example, Kubrick had 90 tons of sand dyed gray. As the film lurched into existence—without a set plot line, much less a finished script—its behind-the-scenes reality often proved as outlandish as its futuristic fiction. Clarke and the Making of a Masterpiece. Stanley decided to take his chances with the universe.


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Early in pre-production Kubrick proposed to Clarke that they co-write a novel first, then base their film script on it—rather than the other way around. In fact, the director had promised Clarke that their novel could be published before the film came out.

An Untenable Position

A behind-the-scenes shot of Stanley Kubrick on set. During production, Kubrick at first refused to let spacewalking stuntman Bill Weston wear a second cable for safety, although he was 30 feet above a hard concrete studio floor. In another incident, Kubrick refused to let Weston punch holes in the back of his space helmet, which meant the stuntman was perpetually on the verge of blacking out from carbon-dioxide poisoning as he engaged in complicated maneuvers while hanging high above the camera.

But Kubrick had fled the scene, causing production to grind to a halt for several days. The mysterious black monolith began as a translucent Plexiglas tetrahedron, which ultimately assumed a monolith shape because Plexiglas cools better that way.

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And the decision for HAL to kill off most of the crew came from visual-effects supervisor Doug Trumbull, who suggested that this would resolve some loose plot points—an idea the director at first angrily rejected. Arthur C. Clarke, worried that Kubrick might reject further collaboration with him because he was gay, one day mustered the nerve to confront the issue head on.

11 Things You Didn’t Know About ‘ A Space Odyssey’ - HISTORY

Abolitionists in the North organized and funded several thousand settlers to move to Kansas and presumably vote later to make it a free state. Henry Ward Beecher. In some districts the number of ballots counted was twice the number of registered voters. Few of the Border Ruffians actually owned slaves since they were too poor. Following the elections, a territorial legislature convened and promptly expelled all of the antislavery delegates, then enacted a series of proslavery laws.

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The free-soil settlers were not necessarily abolitionists. Most were farmers who opposed slavery because the institution brought with it the plantation system. A replication of the cotton belt economy in Kansas would drive out the small homesteaders.


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  8. The free-soilers loved their lands more than they cared about the plight of the slaves. But the Abolitionists, staking their all upon the Kansas issue, and hesitating at no means, fair or foul, are moving heaven and earth to render that beautiful territory not only a free state, so-calloed, but a den of Negro thieves and "higher law" incendiaries. John Brown. The so-called "Border War" lasted for another four months until a new governor, John W.

    Geary, managed to prevail upon the Missourans to return home in late A fragile peace followed, but violent outbreaks continued intermittently for several more years. National reaction to the events in Kansas demonstrated how deeply divided the country had become. The Border Ruffians were widely applauded in the South, even though their actions had cost the lives of numerous people. In the North the murders committed by Brown and his followers were ignored by most and lauded by a few.

    In , a Kansas constitutional convention was convened, which drafted a pro-slavery document. Of moonlight vapour, which the cold night clips,.

    It flush'd through his pale limbs, and pass'd to its eclipse. And others came. Desires and Adorations,. Winged Persuasions and veil'd Destinies,. Splendours, and Glooms, and glimmering Incarnations. Of hopes and fears, and twilight Phantasies;. And Sorrow, with her family of Sighs,.

    Kansas State Capitol - Online tour - Tragic Prelude

    And Pleasure, blind with tears, led by the gleam. Of her own dying smile instead of eyes,. Came in slow pomp; the moving pomp might seem. Like pageantry of mist on an autumnal stream. All he had lov'd, and moulded into thought,. From shape, and hue, and odour, and sweet sound,.

    Her eastern watch-tower, and her hair unbound,. Wet with the tears which should adorn the ground,. And the wild Winds flew round, sobbing in their dismay. Lost Echo sits amid the voiceless mountains,. And feeds her grief with his remember'd lay,. And will no more reply to winds or fountains,. Or amorous birds perch'd on the young green spray,. Or herdsman's horn, or bell at closing day;.

    Since she can mimic not his lips, more dear. Than those for whose disdain she pin'd away. Murmur, between their songs, is all the woodmen hear. Grief made the young Spring wild, and she threw down. Her kindling buds, as if she Autumn were,. Or they dead leaves; since her delight is flown,. For whom should she have wak'd the sullen year? Thou, Adonais: wan they stand and sere.

    The Top 25 Songs That Matter Right Now

    Amid the faint companions of their youth,. With dew all turn'd to tears; odour, to sighing ruth. Thy spirit's sister, the lorn nightingale. Mourns not her mate with such melodious pain;. Not so the eagle, who like thee could scale. Heaven, and could nourish in the sun's domain. Her mighty youth with morning, doth complain,. Soaring and screaming round her empty nest,. As Albion wails for thee: the curse of Cain. Light on his head who pierc'd thy innocent breast,.

    And scar'd the angel soul that was its earthly guest! Ah, woe is me! Winter is come and gone,. But grief returns with the revolving year;. The airs and streams renew their joyous tone;. The ants, the bees, the swallows reappear;.


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    Fresh leaves and flowers deck the dead Seasons' bier;. The amorous birds now pair in every brake,. And build their mossy homes in field and brere;. And the green lizard, and the golden snake,. Like unimprison'd flames, out of their trance awake. Through wood and stream and field and hill and Ocean. A quickening life from the Earth's heart has burst.

    As it has ever done, with change and motion,. From the great morning of the world when first. God dawn'd on Chaos; in its stream immers'd,. The lamps of Heaven flash with a softer light;. All baser things pant with life's sacred thirst;.